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Taklub (Trap) review

May 20, 2015

Taklub (Trap) throws its viewers straight in at the deep end: flames, screams, chaos as a futile attempt is made to put out a fire.

Set in Tacloban in the taklubPhilippines, Taklub shows the aftermath of Tycoon Hayan. Living in makeshift huts and shelters, the survivors are left to pick up the pieces and rebuild their homes amid the devastation. Among them are Bebeth (Nora Aunor), Larry (Julio Diaz) and Erwin (Aaron Rivera), each mourning those they lost in the disaster, and struggling to maintain morale as they attempt to resume their lives.

Much of the story is filmed to create the effect of a hand-held camera in the style of a documentary, creating a sense of gritty intimacy as the three protagonists are followed about their daily lives. Combined with a set of breathtaking performances, this technique is what bridges the gap between the characters and the viewer.

Filming through mud and torrential rain, Taklub offers just a taste of the misery wrought by the elements. However, as harrowing as the images of death and disaster may be, it’s the moments between the chaos that are the most poignant; those in which reality is given the chance to sink in that imbue Taklub with the most emotion.

It is a sad truth that the media’s sensationalist tendencies have gradually desensitised us to images of natural disasters, and the havoc they wreak on people’s lives. By approaching the matter from the inside out, Taklub offers an insight into the lives of such victims; it is no longer a matter of a newsreel set to dramatic music and replayed ten times a day, this harrowing account is a true eye-opener to the plight of those who are too often dismissed and ignored by the rest of the world.

Source: Taklub