August 28, 2019
Isang karangalan ang maanyayahan sa inyong programa. Bagama’t hindi makakapunta dahil kasalukuyang mayroong mga budget hearing at session sa Kongreso, nais kong pasalamatan ang bawat isa sa inyo, dahil kayo ay nagpunta at nakiisa sa programa na ito.
Layunin ng Technical Education and Skills Development Authority o TESDA na mapadali at mapabilis ang paghahanap ng trabaho ng mga graduate ng Technical and Vocational Education and Training o TVET kaya mayroong mga programa tulad ng World Café of Opportunities o WOC.
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August 22, 2019
Message of Deputy Speaker and Antique Congresswoman Loren Legarda*
Launching of the Buhay na Buhay Lecture Series
22 August 2019 | National Museum of Fine Arts Auditorium
*Delivered by Dr. Ana Labrador, Assistant Director of the National Museum of the Philippines
(Standard greetings)
It is my pleasure to share this joyous afternoon with you. Buhay na Buhay is the product of hard work and perseverance of former National Commission for Culture and the Arts (NCCA) Chairperson Professor Felipe De Leon Jr. and the dedicated production […]
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August 15, 2019
I am very pleased to be a part of the ERC’s celebration of its 18th Founding Anniversary.
Is this the ERC’s coming-of-age celebration? I am sure the “debutant” theme you have for this event is but a symbolism of an ERC reborn.
ERC’s “coming-of-age” started from the minute it was created upon passage of EPIRA on June 8, 2001.
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August 15, 2019
It is a pleasure to be here at the opening of Likha-an: Lunduyan ng Tradisyonal na Sining at Kultura. It is actually a dream come true to be able to formally open this resource center, envisioned to be an inclusive venue that will be the home to the nation’s traditional works of art and a celebration of the traditional artists from our regions.
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August 6, 2019
Traditional textiles are ties that bind. It links the past to the present and brings together cultures, which, no matter how diverse, has a commonality.
It is in this premise that the Hibla ng Lahing Filipino textile gallery was born in 2012 in two small rooms of the National Museum of the Philippines.
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