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Articles

PHL Pavilion at Venice Biennale Tackles West PHL Sea Issue

May 8, 2015

“There is a specific focus on the particular situation in the West Philippine Sea that the pavilion is trying to respond to,” says Patrick D. Flores about the Philippine Pavilion at the 56th International Art Exhibition – la Biennale di Venezia.
 
“But we do not want to reduce the message of the pavilion to that situation. So while it is sharply engaged with, it doesn’t totally determine the outcome of the pavilion,” he adds. The Philippine Pavilion with the  exhibit Tie A String […]

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Philippine Pavilion at Venice Raring to Open to the World

May 6, 2015

Senator Loren Legarda today expressed excitement over the forthcoming opening of the Philippines’ comeback pavilion at the 56th International Art Exhibition of la Biennale di Venezia.
 
“The Philippine Pavilion at the Venice Biennale is raring to open to the world this week. I am very excited for our country because we are represented by a very talented team. The world will be awed by the immense creativity and brilliance of Filipino artists,” said Legarda, principal advocate of the Philippines’ return to […]

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The Art Issue: Philippine Tatler May 2015

May 6, 2015

“The Venice Biennale is about the past, the present, and the future,” Senator Loren Legarda takes the spotlight in the latest edition of Philippine Tatler, which celebrates Filipino artistry and craftsmanship this month.
The passionate Loren Legarda, Philippine senator, is clearly energised. Not that this is unusual, but at this evening’s pictorial, something else is pumping the adrenalin other than her natural self.
The Philippine participation at the 56th Venice Biennale, a major international art exhibition, after 51 years of absence, was […]

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The Voyage to Venice

May 6, 2015

After 51 years, the Philippines will participate again at the prestigious Venice Biennale, Senator Loren Legarda describes her role and how this important event in our art and culture came about.

“Why is the Philippines not in the Venice Biennale?” This was the question that started the journey towards ending the country’s five-decade absence in the world’s most prestigious contemporary art exhibition. It was a puzzling absence, given the robust history of Philippine art and its lively contemporary art scene.
It was […]

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