Senator Loren Legarda today welcomed the Quezon City Court’s ruling ordering the release of the retirement benefits of lawyers from the Public Attorneys Office (PAO) worth P178 million, saying that our public attorneys deserve adequate retirement benefits after long years of hard work and dedication to public interest practice.
Read MoreThe Philippines triumphantly returned for a second consecutive participation in the Venice Art Biennale with a stronger showing as it presented a national pavilion curated by Joselina Cruz featuring two important Filipino artists—Lani Maestro and Manuel Ocampo—in a prime space at the Arsenale in Venice, Italy.
Read MoreSenator Loren Legarda today hailed the Senate’s approval on third and final reading of the Mental Health Bill under Senate Bill No. 1354, which seeks to provide affordable and accessible mental health services to Filipinos with mental disabilities.
Legarda, coauthor of the proposed bill, said that the enactment of the said measure would usher in a new chapter in mental healthcare policy and service delivery in the Philippines as it would integrate mental heath in all health services and policy initiatives.
Read MoreIt is the world’s biggest contemporary art event and it transforms the city of Venice into a Mecca for curators, artists and art pilgrims who traverse the globe to be part of this international spectacle.
This year’s Venice Biennale unlocks several milestones for Philippine art as the country joins the Art Biennale for the second time since its return in 2015 after a 51-year hiatus. It presents The Spectre of Comparison curated by Joselina Cruz, that features the works of Filipino artists Lani Maestro and Manuel Ocampo.
Read MoreThe world of contemporary art will unveil to the public its newest array of artistic work this week at the “2017 Venice Art Biennale” in Italy, with two internationally-acclaimed Filipino artists Lani Maestro and Manuel Ocampo making doubly sure that the Philippines is amply represented.
Senator Loren Legarda, the visionary and prime mover of the country’s return to the global art exhibition in 2015, after a 51-year hiatus, said that Filipino voices were “amplified with each participation at the Venice Biennale.”
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